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‘Amarela’ Filmmaker André Saito Talks Embracing Individuality In Brazilian Oscar Shortlisted Short Film

Amarela MyMama Entertainment Trying to figure out who you are can be a complex process. It gets even more complicated when identity politics prevents you from fully assimilating into the culture you were born into. It’s a frustration that Japanese Brazilian filmmaker André Saito knows all too well, despite being a second-generation Japanese Brazilian, in a country that contains the world’s largest Japanese population outside of Japan.

Amarela Short Film Interview

Amarela Short Film Interview

Credit: Deadline

Key Highlights

  • Feeling compelled to channel his decades-long hurt and anger stemming from experiencing racial microaggressions in his home country due to his Japanese ancestry, Saito made his latest short film, Amarela, a term that means “yellow” in Portuguese.
  • Set against the backdrop of the 1998 São Paulo World Cup between Brazil and France, Amarela follows 14-year-old Erika Oguihara (Melissa Uehara), a Japanese Brazilian sports fanatic who rebels against her family’s more Japanese cultural traditions.
  • When Erika desires to celebrate with other fans in the city, tensions build during the match, and Erika becomes a target for misplaced hatred when the game takes a turn for the worse.
  • Watch on Deadline In addition to landing the 2026 Oscars shortlist, the 15-minute film also got nominations from the Cannes Film Festival, Clermont-Ferrand International Short Film Festival, Palm Springs International Short Fest and TIFF.
  • It also won the Canal Brazil Award for Short Films at the São Paulo International Short Film Festival.
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Sources

  1. ‘Amarela’ Filmmaker André Saito Talks Embracing Individuality In Brazilian Oscar Shortlisted Short Film

This quick summary is automatically generated using AI based on reports from multiple news sources. The content has not been reviewed or verified by humans. For complete details, accuracy, and context, please refer to the original published articles.

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