Dec 15, 2025 3:35pm PT How the “Deliver Me From Nowhere” Sound Team Created an Authentic Aural Experience for the Bruce Springsteen Drama By Carole Horst Plus Icon Carole Horst Latest ‘Franz’ Star Idan Weiss on Working With Helmer Agnieszka Holland: ‘It’s So Good That We Still Have Directors Who Are Really Political’ 5 days ago Global Exhibition World Gears Up for CineAsia 2025 as Market Takes Center Stage 1 week ago ‘Springsteen: Deliver Me From Nowhere’ Producers on the Passion and Luck That Brought the Pic Together: ‘Bruce Was Always Part of That Process’ 1 week ago See All Macall Polay Sound is imperative to the story of “Springsteen: Deliver Me From Nowhere.” The Scott Cooper film, based on Warren Zanes’ book about the making of Bruce Springsteen’s “Nebraska” and “Born in the USA,” revolves around the sound of those records, and if he can break through to his family, to himself, to be heard. We see Jeremy Allen White, as Springsteen, writing and recording “Nebraska” on a four-track cassette recorder in the bedroom of a rented New Jersey lake house in 1981-82. Authenticity to the period was key for the sound team.