Key Highlights
- Personally, I like soft light because in soft light your skin starts looking good.
- And when you’re doing a commercial film, people come to watch the actors, so they have to look good in whatever situation it is.
- That’s one of the prime requirements when you’re doing popular cinema,” he tells SCREEN in an exclusive chat.
- He tells that for him, soft lighting is not simply an aesthetic indulgence, it is very much functional, purposeful, and rooted in storytelling logic.
- Perhaps it is this quality that makes his lighting feel invisible; you rarely find yourself questioning its source.
