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Chloé Zhao Has Looked Into the Void

Save this storySave this storySave this storySave this storyChloé Zhao’s astonishing career has been a series of hairpin turns. Born in Beijing, in 1982, she wound up at New York University’s film school, where she studied under Spike Lee. Starting in 2015, she directed three small-scale, slow-burn features set in the American heartland: “Songs My Brothers Taught Me,” “The Rider,” and “Nomadland.” All three capture the expansive beauty of the West—in particular South Dakota, with its moonlike badlands and wide, grassy plains—while using local nonprofessional actors to achieve documentary-like naturalism.

Chloé Zhao Has Looked Into the Void

Credit: ByMichael SchulmanDecember 7, 2025

Key Highlights

  • “Nomadland,” about a rootless gig worker living in her van, mixed in two established stars, Frances McDormand and David Strathairn, and in 2021 won the Oscar for Best Picture.
  • Zhao also won Best Director, becoming the first woman of color to win the category.
  • How did this young Chinese filmmaker so effortlessly encapsulate middle America’s underclass?
  • Before you could answer that question, Zhao was making a Marvel movie—“Eternals”—with the likes of Angelina Jolie and Salma Hayek playing immortal beings shooting lasers out of their eyes.“Eternals” was an unloved entry in the M. C. U.
  • canon, but it retained some of the spiritual, searching quality that infused Zhao’s indie neo-Westerns.
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Sources

  1. Chloé Zhao Has Looked Into the Void

This quick summary is automatically generated using AI based on reports from multiple news sources. The content has not been reviewed or verified by humans. For complete details, accuracy, and context, please refer to the original published articles.

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