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Deadline Spotlight: Anatomy Of A Song – How Ed Sheeran And Blake Slatkin Kept ‘F1’s “Drive” “As Raw As Possible”

When Apple Original Films reached out to Ed Sheeran to commission a song from him for F1 starring Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon and more, they let him select the scene to set it to and the type of song he would write. The “Sapphire” singer and four-time Grammy winner, who gets three to four calls a year to write a song for a film, selected the final, closing scene of the film for “Drive,” which he put together with producer and songwriter Blake Slatkin and is now shortlisted for the Outstanding Original Song Oscar. Related Stories News Ed Sheeran Announces 2026 North American Tour Dates Below The Line Songwriters Ed Sheeran & Blake Slatkin On Blending Story With “Uplifting, Euphoric Rock” For ‘F1’ Song “Drive” – The Process Sheeran — also behind the “All of These Stars” from the film The Fault In Our Stars, “I See Fire” from The Hobbit and “Under the Tree” from That Christmas — and Slatkin, who collaborated on Sheeran’s latest album Play, unpacked the making of the gritty anthem in a panel discussion for Deadline’s Anatomy of a Song spotlight series.

Blake Slatkin, Ryan Tedder and Ed Sheeran speak onstage at  Spotlight: Anatomy of a Song - "F1" held at The Motoring Club

Blake Slatkin, Ryan Tedder and Ed Sheeran speak onstage at Spotlight: Anatomy of a Song - "F1" held at The Motoring Club

Credit: Deadline

Key Highlights

  • The conversation, introduced by David Taylor, Head of Music, Apple Original Films & TV, was moderated by Ryan Tedder, One Republic’s lead singer (and co-writer of “Just Keep Watching” and “Lose My Mind” from F1), at The Motoring Club in Los Angeles.
  • Watch the conversation here, and check out photos from the event below.
  • “I don’t think that ‘Drive’ is a song that could go side by side with a song on my album because it’s such a stylistically different song, but it works so well in the movie, in the way that we did it before the movie,” Sheeran said.
  • “I think that if you’re making a song for a movie, you kind of have to not have the lens of pop on it, and more the lens of how is it going to work in the movie, rather than how is it going to work outside the movie?
  • Because you might as well make a song that just works outside a movie, and not make the song for the movie, if that’s what you’re concerned about.” What drew Sheeran in this song’s case is that he could branch out from his expertise in ballads and love songs.
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Sources

  1. Deadline Spotlight: Anatomy Of A Song – How Ed Sheeran And Blake Slatkin Kept ‘F1’s “Drive” “As Raw As Possible”

This quick summary is automatically generated using AI based on reports from multiple news sources. The content has not been reviewed or verified by humans. For complete details, accuracy, and context, please refer to the original published articles.

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