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How Production Designer Nathan Crowley Wove Together Trees And Made A Castle Float To Expand The World Of Oz In ‘Wicked: For Good’

Concept art for Kiamo Ko castle support pillars in 'Wicked: For Good' Universal Pictures As the returning production designer from the first film, Nathan Crowley had a lot of new areas to explore in Wicked: For Good. From the seemingly floating castle Kiamo Ko to Elphaba’s forest hideaway, and even new locations within The Emerald City like Glinda’s apartment, Crowley’s work in the second film focuses more on expanding the world of Oz past Shiz University. “The story takes off, and we go on these incredible epic journeys,” says Crowley.

Concept art for Kiamo Ko castle support pillars in 'Wicked: For Good'

Concept art for Kiamo Ko castle support pillars in 'Wicked: For Good'

Credit: Deadline

Key Highlights

  • “We come back some years later, the Wizard’s building yellow brick roads and oppressing the landscape, so where has Elphaba gone?” Related Stories Below The Line How Writer-Director Rian Johnson & Cinematographer Steve Yedlin Went "Theatrical With Natural Light Shifts" For 'Wake Up Dead Man' News Jon M.
  • Chu Signs First Look Deal With Paramount One of the first locations Crowley had to think of, story-wise, was where Elphaba would be hiding out.
  • “It started with having this dense canopy that she just flies into, and then we intertwine all the tree trunks and branches and it creates a nest,” says Crowley.
  • Watch on Deadline Constructing the nest for Elphaba’s hideout.
  • Universal Pictures When Crowley says “intertwine all the tree trunks and branches”, he means that literally, as he had a greens department who wove together the space with actual wood and branches.
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Sources

  1. How Production Designer Nathan Crowley Wove Together Trees And Made A Castle Float To Expand The World Of Oz In ‘Wicked: For Good’

This quick summary is automatically generated using AI based on reports from multiple news sources. The content has not been reviewed or verified by humans. For complete details, accuracy, and context, please refer to the original published articles.

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