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Sata Cissokho Talks Journey To Heading Up Berlinale’s World Cinema Fund & Plans For Initial Two-Year Mandate

Sata Cissokho Berlinale Former film sales and acquisitions exec Sata Cissokho made her debut as the new head of the Berlinale’s World Cinema Fund (WCF) this year, replacing Vincenzo Bugno who stepped down at the end of 2025 after 21 years in the job. Launched in 2004 as a joint initiative between the festival and the German Federal Cultural Foundation to support filmmakers in places with a fragile filmmaking infrastructure, the fund has supported more than 320 films over its 22 years of existence. Territories covered by the initiative include Latin America, the Caribbean and the Pacific region, Africa, the Middle East, Central and Southeast Asia, the Caucasus, as well as Bangladesh, Nepal, Mongolia and Sri Lanka.

Sata Cissokho Arrival and Plans As New World Cinema Fund Heaad

Sata Cissokho Arrival and Plans As New World Cinema Fund Heaad

Credit: Deadline

Key Highlights

  • Related Stories News International Insider: Berlin Gets Political; Screenings Come To London Town; Andrew Arrested Festivals Director Tobias Nölle On Making Berlinale Film 'Tristan Forever' On Very Remote Island: "It's Super Freeing" - EFM DocSalon Its funding model is rare among European funds for Global South productions, in that the recipients are obliged to spend 90% of the money they receive in the country of production, rather than in Germany or on German cast and crew.
  • Watch on Deadline “It’s moving the discussion around ownership… the power dynamic between the main producer and the German producer is very different from that of many other European funding schemes,” says Cissokho.
  • She is taking up the baton in the wake of a bumper year for the fund, which saw 16 grantees make it into major festivals in 2025, including Cannes Critics’ Week Grand Prix winner A Useful Ghost and Cannes Un Certain Regard selection Aisha Can’t Fly Away.
  • There were two WCF-backed films in this edition of the Berlinale – Indonesian director Edwin’s Sleep No More in the Berlinale Special Midnight sidebar and Narciso by Paraguayan director Marcelo Martinessi in Panorama.
  • The WCF Day, taking place in the second week of the festival, featured a conversation with French Senegalese director Alain Gomis, whose drama Dao played in Competition, as well as focuses on South-East Asian cinema, and a talk on international sales opportunities for films hailing from the regions covered by fund.
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Sources

  1. Sata Cissokho Talks Journey To Heading Up Berlinale’s World Cinema Fund & Plans For Initial Two-Year Mandate

This quick summary is automatically generated using AI based on reports from multiple news sources. The content has not been reviewed or verified by humans. For complete details, accuracy, and context, please refer to the original published articles.

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